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Writer's pictureThe Communicator

Deception, desperation

Over the past week, the controversial and deceptive April Fools’ “tattoo challenge” of a local food business, Taragis, hogged the headlines and garnered a whirlwind of reactions among Filipino netizens.


(Cartoon by Timothy Andrei M. Milambiling/The Communicator)


Disguised as a harmless joke, the tattoo challenge involved offering ₱100,000 to the first person brave enough to tattoo the store's logo on their forehead. The catch? The “April Fools’” disclaimer was at the bottom of the brand’s social media post, only noticeable upon closer inspection.


Tragically, a social media user Ramil Albano from Leyte, took the bait and shared a photo of his forehead tattoo. Seeing a kababayan succumb to such a vicious prank is undeniably heart-wrenching as it sheds light on the desperate lengths an individual may go to make ends meet. 


In the wake of the distressing event, compassionate individuals and brands stepped forward to support Albano by offering assistance in the form of cash and in-kind donations, especially since his story about his child with Down Syndrome gained traction online.


Nonetheless, in a recent development, Carl Quion, the owner of the food brand, has disclosed that the concept for the prank was created as early as April Fools’ Day in 2023, all in the pursuit of generating buzz and publicity for his takoyaki business.


In short, the whole Taragis fiasco was scripted and meticulously orchestrated. The brand even went as far as confining Albano to his home to guarantee the plan stayed on track. 


According to Quion, their marketing stunt did not just yield negative consequences. He argued that it also spurred positive outcomes, prompting people to unite and help Albano in various forms. However, I vehemently disagree with his justification.


Taking advantage of Albano's dire financial situation to boost Taragis' brand visibility is both morally wrong and extremely unethical. Furthermore, exploiting Albano's heartbreaking backstory—highlighting his role as a father willing to do the challenge for his family—dangerously oversimplifies the complex issue of poverty. 


Such marketing tactics reduce the systemic struggles faced by impoverished individuals to a mere narrative of suffering. Besides, Quion's attempt to justify the situation by highlighting the positive outcomes, such as community support for Albano is problematic. 


There is more to poverty than meets the eye. It is crucial to point out that poverty is not just a matter of lacking material resources; it encompasses a complex interplay of socio-political factors.


By perpetuating the misconception that poverty can be solved through donations and acts of charity, such marketing stunts hinder efforts to address the root causes of poverty. They obscure the broader systemic challenges and impede meaningful change from taking place.


Individuals living in poverty grapple with challenges such as the harsh reality of lacking the financial means to sustain themselves, often struggling to put food on the table and meet basic needs. The absence of proper education deprives them of opportunities to acquire essential skills for securing stable jobs and improving their livelihoods.


The inflation further compounds their struggles as they have to deal with the relentless pressure of high financial demands, leaving them trapped in a cycle of poverty from which escape seems increasingly elusive.


In essence, poverty represents a profound failure on the part of the government to ensure that its citizens have access to fundamental necessities, including quality education and viable employment opportunities. It is a stark reflection of systemic issues deeply ingrained within society. 


If only our government wholeheartedly fulfills its core duties of advocating for and safeguarding the welfare of its citizens, individuals like Albano would not find themselves driven to the brink of desperation, resorting to deceitful schemes merely to survive.



Article: Shamma Roi S. Mabini

Cartoon: Timothy Andrei M. Milambiling








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